{"id":9,"date":"2018-11-05T03:40:54","date_gmt":"2018-11-05T03:40:54","guid":{"rendered":"https:\/\/backstage.fabuleus.be\/bechdel\/?page_id=9"},"modified":"2018-11-06T16:13:37","modified_gmt":"2018-11-06T16:13:37","slug":"home","status":"publish","type":"page","link":"https:\/\/backstage.fabuleus.be\/bechdel\/","title":{"rendered":"PASSING THE BECHDEL TEST"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">In PASSING THE BECHDEL TEST kiest choreograaf Jan Martens radicaal voor taal. Dertien jongeren (v\/x) nemen de woorden in de mond van een brede waaier aan vrouwelijke schrijvers en denkers, van Susan Sontag tot Virginia Woolf, van Toni Morrison tot Maggie Nelson om thema\u2019s aan te kaarten als stereotypering, feminisme en homoseksualiteit. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">PASSING THE BECHDEL TEST is een pleidooi om die persoon te worden, die je wil worden. Omdat de mogelijkheden oneindig zijn. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">PASSING THE BECHDEL TEST is een productie van <\/span><a href=\"https:\/\/www.fabuleus.be\/passing-the-bechdel-test\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">f<\/span><\/i><span style=\"font-weight: 400;\">ABULEUS<\/span><\/a><span style=\"font-weight: 400;\"> en <\/span><a href=\"https:\/\/www.grip.house\/productie\/passing-the-bechdel-test\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">GRIP<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><a href=\"https:\/\/fabuleus.be\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-167 alignleft\" src=\"https:\/\/backstage.fabuleus.be\/bechdel\/wp-content\/uploads\/2018\/11\/Fabuleus-Logo-2015-300x211.jpg\" alt=\"\" width=\"100\" height=\"70\" \/><\/a><a href=\"https:\/\/www.grip.house\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-165 alignright\" src=\"https:\/\/backstage.fabuleus.be\/bechdel\/wp-content\/uploads\/2018\/11\/GRIP-logo-zwart-300x169.png\" alt=\"\" width=\"100\" height=\"56\" srcset=\"https:\/\/backstage.fabuleus.be\/bechdel\/wp-content\/uploads\/2018\/11\/GRIP-logo-zwart-300x169.png 300w, https:\/\/backstage.fabuleus.be\/bechdel\/wp-content\/uploads\/2018\/11\/GRIP-logo-zwart-768x434.png 768w, https:\/\/backstage.fabuleus.be\/bechdel\/wp-content\/uploads\/2018\/11\/GRIP-logo-zwart.png 861w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In PASSING THE BECHDEL TEST kiest choreograaf Jan Martens radicaal voor taal. Dertien jongeren (v\/x) nemen de woorden in de&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/backstage.fabuleus.be\/bechdel\/wp-json\/wp\/v2\/pages\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/backstage.fabuleus.be\/bechdel\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/backstage.fabuleus.be\/bechdel\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/backstage.fabuleus.be\/bechdel\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/backstage.fabuleus.be\/bechdel\/wp-json\/wp\/v2\/comments?post=9"}],"version-history":[{"count":11,"href":"https:\/\/backstage.fabuleus.be\/bechdel\/wp-json\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":173,"href":"https:\/\/backstage.fabuleus.be\/bechdel\/wp-json\/wp\/v2\/pages\/9\/revisions\/173"}],"wp:attachment":[{"href":"https:\/\/backstage.fabuleus.be\/bechdel\/wp-json\/wp\/v2\/media?parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}